The delightfully deadpan heroine at the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his very own novel with the same name, could be compared to Amélie on Xanax. Her day-to-day life is filled with chance interactions along with a fascination with strangers, while, at 27, she’s more concerned with trying to alter her own circumstances than with facilitating random acts of kindness for others.
The tale centers on twin twelve-year-outdated girls, Zahra and Massoumeh, who have been cloistered inside for nearly their entire lives. Their mother is blind and their father, concerned for his daughters’ safety and lack of innocence, refuses to let them past the padlock of their front gate, even for proper bathing or schooling.
The movie begins with a handwritten letter from the family’s neighbors to social services, and goes on to chart the aftermath in the girls — who walk with limps and have barely learned to talk — being permitted to wander the streets and meet other youngsters for that first time.
With Tyler Durden, novelist Chuck Palahniuk invented an impossibly cool avatar who could bark truisms at us with a quasi-spiritual touch, like Zen Buddhist koans that have been deep-fried in Axe body spray. With Brad Pitt, David Fincher found the perfect specimen to make that person as real to audiences as he is to your story’s narrator — a superstar who could seduce us and make us resent him for it for the same time. Within a masterfully directed movie that served for a reckoning with the twentieth Century as we readied ourselves for the 21st (and ended with a person reconciling his old demons just in time for some towers to implode under the load of his new ones), Tyler became the physical embodiment of shopper masculinity: Aspirational, impossible, insufferable.
Hopkins’ Hannibal Lecter is amongst the great villains in film history, pairing his heinous acts with just the right degree of warm-however-slightly-off charm as he lulls Jodie Foster into a cat-and-mouse porn game for local sex videos the ages. The film needed to walk an extremely fragile line to humanize the character without ever falling into the traps of idealization or caricature, but Hopkins, Foster, and Demme were ready to do exactly that.
Shot in kinetic handheld from beginning to end in what a feels like a single breath, Jean-Pierre and Luc Dardenne’s propulsive (first) Palme d’Or-winner follows the teenage Rosetta (Emilie Duquenne) as she desperately tries to hold down a job to aid herself and her alcoholic mother.
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A profoundly soulful plea for peace in the guise of easy family fare, “The Iron Giant” continues to stand tall as one of the best and most philosophically refined American animated films ever made. Despite, or perhaps because from the movie’s power, its release was bungled from the start. Warner Bros.
No supernatural being or predator enters a single body of this visually economical affair, but the committed turns of its stars as they descend into madness, along with the piercing sounds of horrific events that we’re compelled xnnx to imagine curvaceous babe face sitting her thick ass on pliant guy in lieu of seeing them for ourselves, are still more than ample to instill a visceral fear.
Mahamat-Saleh Haroun is one of Africa’s greatest living filmmakers, and while he sets the majority of his films in his native Chad, some others look at Africans struggling in France, where he has settled for most of his adult life.
Many of Almodóvar’s recurrent thematic obsessions look here at the peak of their artistry and usefulness: surrogate mothers, distant mothers, unprepared mothers, parallel mothers, their absent male counterparts, in addition to a protagonist who ran away from the turmoil of life but who must ultimately return to face the past. Roth, an acclaimed Argentine actress, navigates Manuela’s grief with a brilliantly deceiving air of serenity; her character is functional but crumbles within the mere mention of her late youngster, frequently submerging us in her insurmountable pain.
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Stepsiblings Kyler Quinn and Nicky Rebel reach their hotel room while on vacation and discover that they acquired the room with one particular bed instead of two, so they wind up having to share.
As handsome and charming as George Clooney is, it’s hard to assume he would have been the star he is today if Soderbergh hadn’t unlocked the full depth of his persona with this role.